a flat sub mediant submediant in the g major scale

This note is second most important note only to the tonic. This is the middle, or 'third', of a triad.Ĥ) SUB DOMINANT- Scale degree 4 is the note immediately below the dominant.ĥ) DOMINANT- Scale degree 5 is roughly at the center of the scale. The C note is the tonic of the C scale.Ģ) SUPER TONIC- Scale degree 2 is the note above the tonic.ģ) MEDIANT- Scale degree 3 is the midpoint between the tonic, scale degree 1, and the dominant, scale degree 5. This is the note for which the scale is named. So, it is the note that best represents the feeling of a dominant function.1) TONIC- Scale degree 1 is the root, or the foundation, of the scale. When we analyze melodically, the note that best characterizes the dominant function is the leading-tone, because it is one semitone away from the tonic (it leads chromatically to solve in the tonic). Perhaps you are thinking: “Why is the dominant function not represented by the fifth degree?” In the case of chords, the fifth degree has a tritone. That is, taking the C major scale as an example, the C note would represent the tonic function, the F note would represent the subdominant function and the B note would represent the dominant function. Therefore, that characterize the harmonic functions are as follows: So far, we have only talked about harmonic functions in the context of harmony, we have yet to speak in the context of melody. What you need to memorize is this: in the same way that chords have harmonic functions, so do notes. When the seventh degree is one toneĪway from the first degree (example: minor scale), that degree is called a Seventh degree is called “leading-tone” when it is one semitone from Practice, it is what comes before the dominant.īetween the subdominant and the upper tonic.ĭegree that brings the lead to resolve in the tonic. “sub” means “below” or “what comes before”. In practice, it means “what comes after the tonic”.ĭegree that is halfway between the tonic and the dominant, hence the name

“super” comes from Latin and means “above” or See the explanation of the other names below: Where do these names come from? We already know the names tonic, subdominant and dominant, after all these are the names of the harmonic functions. Within a scale, we can give the following nomenclature to degrees:

Moving on in our study, we will learn some other nomenclatures that are widely used to describe tonal degrees.

A flat sub mediant submediant in the g major scale